Thanks to the WordPress app I can write this tiredly as I lay in bed. I don’t really need to write anything but I don’t want to ruin my streak.
Today I’m thinking about how we get more original content. We can say we don’t want remakes and all that, but they make money so obviously someone wants them. People are annoyed with the female remakes, but it just goes to show that someone can’t make a heist film with all females without linking it to a franchise. I will take smart females anyway I can get them, but I wish they could stand alone…Or if you’re going to connect it, at least give us a Clooney cameo for the female gaze.
0/4 Tony nominated musicals were original ideas. I haven’t been impressed with anything I’ve seen from Mean Girls. Frozen, well, we’ve all seen/heard it a million times already….Literally. Though I do think it translates well to stage if it’s anything like the one they did at Disneyland. SpongeBob SquarePants… The Musical. On Broadway. Not as bad as you’d think and seems to have some cool elements, but, it’s still SpongeBob.
A Band’s Visit is based off a movie, but one from 2007 that is less mainstream and gives Middle Easterns a chance to shine. So I’m about that, and would love to see it.
There are some great revivals on right now. But original musicals seem to be dying out. What happened to the days when ALW could write a story about Cats doing who even knows what. That was based on a book. But it’s weird enough to feel original.
Groundhog Day, Charlie and the Chocolate Factory didn’t last.
Matilda is one of my favorites but that’s because the songs and choreography go all out. Waitress is lasting because Sara Barreilles is a genius. Making musicals based off movies (based off books) is fine and can work out great, but are we forgetting how to write, and more importantly appreciate original musicals?
Book of Mormon did great and is, ironically enough, not based off the book at all.
A Quiet Place made tons of money. La La Land… I mean, I didn’t like it, but I’m a minority. The same guys did Dear Evan Hansen, which I also don’t like but it swept up the Tonys last time.
So we know originals can succeed. But producers are still afraid to take that risk. I think there’s room for both.